Frank Hess continued to design for the company until 1960.Īs was the custom with many costume jewelry manufacturers of the time her items went unsigned for many years. The pair worked together until 1950 when due to poor health she sold the company to her brother, Joseph. That same year Frank Hess, a former window dresser for Macy’s, joined her as a jewelry designer. In 1926 Miriam Haskell opened the doors of her first jewelry boutique. Chandelier earrings have become a classic of any wardrobe, here is a chance to have an exceptional pair.The collaboration of Miriam Haskell and Frank Hess brought about some of the most popular costume jewelry of the 20th century. Other than those items these are in very nice condition. Dangling baroque pearls show wear and one of the pearls at the top of the pendulum portion looks as if the original wiring broke and someone might have glued it back instead of re-wiring (wiring is still there). Five baroque glass pearls dangle from the bottom, with the center one surmounting a clear rhinestone rondelle and a pear shaped pearl. Bottom portion of the earring has the same pearl surrounded by roses montees handwired to finding as the top, this is flanked by brass leaves. Double filigree tops with french clip findings sport baroque glass pearls, prong set clear pear rhinestones and one of the baroque pearls is surrounded by prongset flatback clears (roses montees). International buyers, Western Union ONLY on this item.ĭescription: Unsigned Haskell Chandelier Style Earrings - I am quite certain that these are unsigned Haskell. Bracelet is for a small wrist, slightly over 6 1/2'. 'Corsage's are about 2 1/2' in diameter, brooch is almost 4 1/2' from top to bottom of longest dangle. None of this is visible from a wearing standpoint.

One pear shaped pearl shows a wear spot one larger seed pearl is chipped, and there is mild verdigris and wear to the pierced frame covers. Corsage pieces are all hand wired into pierced metal domes with usual covered solid backs as found in pre-signature pieces. Goldtone metal push in clasp with floral and rope twist motif. Bracelet has what looks like 12 strands of seed pearls in three groups of four strands (actually probably one strand that has been woven back and forth. Brooch has 5 chain and pearl and chain dangles. Center of each floral is done with pear shaped glass pearls, small glass seed pearls in little florettes surrounded by brass leaves, and both corsages accented with a bunch of beads in pink, blue and pearl making up kind of a ball shape that looks as good from the back as from the front. You will also find several unsigned Haskell dress clips in the unsigned vintage portion of the website.ĭescription: Amazing Unsigned Haskell Brooch and Bracelet Set - Done with pink and pink/white glass wired florals and blue wound glass barrel type beads in a huge corsage motif. Though Miriam retired due to poor health in the 1950's, the company continued and remains in business to this day, not only creating modern versions of the Haskell style but also manufacturing for many other costume jewelry concerns. Her style was soon imitated by companies such as DeMario, Eugene, Originals by Robert, and even more contemporary companies such as Stanley Hagler.

The use of many tiny pearls and mirror backed stones (roses montees) required many hours of hand labor, making this more expensive than the average fashion jewelry for the time. After teaming with Frank Hess she created a style of mostly handwired costume jewelry, quite different than what had been seen up to that time. She started her career managing a gift shop in the McAlpin Hotel, and in 1924 opened her own business. Miriam Haskell left the Midwest for New York City in the early 1900's and the jewelry industry was never the same.

Miriam haskell brooch